The culture of Kerala has developed over the past millennia, with influences from other parts of India and abroad.. It is defined by its antiquity and the organic continuity sustained by the Malayali people.. Modern Kerala society took shape owing to migrations from different parts of India and abroad throughout Classical Antiquity.
Kerala traces its non-prehistoric cultural genesis to its membership (around the AD 3rd century) in a vaguely defined historical region known as Thamizhagom – where different regions spoke closely related but unique dialects. At that time, the music, dance,. and literature (Sangam- a vast corpus of Tamil literature composed between 1,500–2,000 years ago) found in Kerala were all similar to that found in the rest of Thamizhagom (today's Tamil Nadu and certain southern parts of karnataka and Andhra Pradhesh). The culture of Kerala evolved through the Sanskritization of Dravidian ethos, revivalism of religious movements and reform movements against caste discrimination.Srinivas, Narasimhachar (1980) India: social structure. Filippo Osella, Caroline Osella (2000) Social mobility in Kerala: modernity and identity in conflict. Pluto PressUniversity of Kerala. Dept. of History, University of Allahabad. Dept. of Modern Indian History, University of Travancore (1966) Journal of Indian history: Volume 44
Strong communitarian values, wit, and an appreciation for social progressivism are commonly associated with Malayali culture.
Performing arts
Native traditions of classical performing arts include koodiyattom, a form of Sanskrit drama or theatre and a UNESCO-designated Human Heritage Art. Kathakali (from katerumbu ("story") and kali ("performance")) is a 500-year-old form of dance-drama that interprets ancient epics; a popularized offshoot of kathakali is Kerala Natanam (developed in the 20th century by dancer Guru Gopinath). Meanwhile, koothu is a more light-hearted performance mode, akin to modern comedy; an ancient art originally confined to temple sanctuaries, it was later popularized by Mani Madhava Chakyar. Other Keralite performing arts include mohiniyaattam ("dance of the enchantress"), which is a type of graceful choreographed dance performed by women and accompanied by musical vocalizations. Thullal, Thirayattam, padayani, and theyyam are other important Keralite performing arts. Thirayattam is one of the most outstanding Ethnic art of Kerala. This vibrant ritualistic annual performing art form enacted in courtyards of "Kaavukal"(sacred groves) and village shrine."Thirayattam",(Folklore Text -malayalam, Moorkkanad Peethambaran) State Institute of language, Kerala
Kerala also has several tribal and folk art forms. For example, Kummattikali, the colorful mask-dance of South Malabar, is performed during the festival of Onam. The Kannyar Kali dances (also known as Desathukali) are fast-moving, militant dances attuned to rhythmic devotional folk songs and asuravadyas. Other performance genres have ties to Christianity or Islam. These include oppana, which is widely popular among Keralite Muslims and is native to Malabar. Oppana incorporates group dance accompanied by the beat of rhythmic hand-clapping and Vishal vocalizations. Margam Kali is a round group dance of Kerala practiced by Saint Thomas Christians.
However, many of these native art forms largely play to tourists or at youth festivals and are not as popular among ordinary Keralites. Thus, more contemporary forms – including those heavily based on the use of often risqué and politically incorrect mimicry and parody – have gained considerable mass appeal in recent years. Indeed, contemporary artists often use such modes to mock socioeconomic elites. In recent decades, Malayalam Cinema, yet another mode of widely popular artistic expression, have provided a distinct and indigenous Keralite alternative to both Bollywood and Hollywood.
Music
The ragas and talas of lyrical and devotional Carnatic music – another native product of South India – dominates Keralite classical musical genres. Swathi Thirunal Rama Varma, a 19th-century king of Travancore and patron and composer of music, was instrumental in popularising carnatic music in early Kerala... Additionally, Kerala has its own native music system, sopanam, which is a lugubrious and step-by-step rendition of raga-based songs. It is Sopanam, for example, that provides the background music used in Kathakali. The wider traditional music of Kerala also includes melam (including the paandi and panchari variants), as style of percussive music performed at temple-centered festivals using an instrument known as the chenda. Up to 150 musicians may comprise the ensembles staging a given performance; each performance, in turn, may last up to four hours. Panchavadyam is a differing type of percussion ensemble consisting of five types of percussion instruments; these can be used by up to one hundred artists in certain major festivals. In addition to these, percussive music is also associated with various uniquely Keralite folk arts forms. Lastly, the popular music of Kerala, as in the rest of India, is dominated by the filmi music of Indian cinema. The most remembered name in Kerala music culture is of Great Indian musician K. J. Yesudas.
Literature
The Sangam literature can be considered as the ancient predecessor of Malayalam. Malayalam literature is ancient in origin, and includes such figures as the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. Some linguists claim that an inscription found from Edakkal Caves, Wayanad, which belongs to 3rd century CE (approximately 1,800 years old), is the oldest available inscription in Malayalam, as they contain two modern Malayalam words, Ee (This) and Pazhama (Old), those are not found even in the Oldest form of Tamil. Sangam works can be considered as the ancient predecessor of Malayalam. The origin of Malayalam calendar dates back to year 825 CE. It is generally agreed that the Quilon Syrian copper plates of 849/850 CE is the available oldest inscription written in Old Malayalam. For the first 600 years of Malayalam calendar, the literature mainly consisted of the oral Ballads such as Vadakkan Pattukal (Northern Songs) in North Malabar and Thekkan Pattukal (Southern songs) in Southern Travancore. The earliest known literary works in Malayalam are Ramacharitam and Thirunizhalmala, two epic poems written in Old Malayalam. Malayalam literature has been presented with 6 Jnanapith awards, the second-most for any Dravidian language and the third-highest for any Indian language.
Designated a "Classical Language in India" in 2013, it developed into the current form mainly by the influence of the poets Cherusseri Namboothiri (Born near Kannur), Thunchaththu Ezhuthachan (Born near Tirur), and Poonthanam Nambudiri (Born near Perinthalmanna), in the 15th and the 16th centuries of Common Era.Freeman, Rich (2003). "Genre and Society: The Literary Culture of Premodern Kerala". In Literary Cultures in History: Reconstructions from South Asia Kunchan Nambiar, a Palakkad-based poet also significantly influenced the growth of modern Malayalam literature in its early form, through a new literary branch called Thullal. The prose literature, criticism, and Malayalam journalism, began following the latter half of 18th century CE. The first travelogue in any Indian language is the Malayalam Varthamanappusthakam, written by Paremmakkal Thoma Kathanar in 1785.
The Bharathappuzha river, also known as River Ponnani, and its tributaries, have played a major role in the development of modern Malayalam Literature. The words used in many of the Arabi Malayalam works those date back to 16th–17th centuries of Common Era are also very closer to the modern Malayalam language. Unnayi Variyar of 17th–18th centuries, based at Thrissur, played a major role in the development of Attakkatha Literature. The words used in many of the Arabi Malayalam works those date back to 16th–17th centuries of Common Era are also very closer to the modern Malayalam language. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving keralian poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. The modern Malayalam grammar is based on the book Kerala Panineeyam written by A. R. Raja Raja Varma in late 19th century CE.
In the second half of the 20th century, Jnanpith winning poets and writers like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai, M. T. Vasudevan Nair, O. N. V. Kurup, and Akkitham Achuthan Namboothiri, had made valuable contributions to the modern Malayalam literature. Later, writers like O. V. Vijayan, Kamaladas, M. Mukundan, Arundhati Roy, and Vaikom Muhammed Basheer, have gained international recognition. Poets like Changampuzha, Uroob, Edasseri Govindan Nair, M. T. Vasudevan Nair, Kamala Surayya, Pallathu Raman, and Edappally Raghavan Pillai also contributed to bring Malayalam poetry to the common man. Later, such contemporary writers as Booker Prize winner Arundhati Roy (whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem) have garnered international recognition. From 1970 to early 1990s, a lot of Malayalam Novelists and story writers contributed to the Literature of Kerala. The contributions from Thakazhi Sivashankara Pillai, Vaikom Muhammed Basheer P. Kesavadev, Uroob, OV Vijayan, T Padmanabhan, Sethu, Perumbadavam Sreedharan, Kovilan, M. Mukundan, Kakkanadan, Anand and Paul Zacharia, have been remarkable. Significant contributions from poets and songwriters such as Vayalar Rama Varma, P. Bhaskaran and ONV Kurup have influenced contemporary literature. Critics such as Kuttikrishna Marar and M.P. Paul till the sixties and later, M Krishnan Nair, S. Gupthan Nair, M. K. Sanu, Sukumar Azhikode, K.P. Appan, Narendra Prasad and M. Leelavathy have added value by providing critical analysis of the books written during the recent past. The writers like Kavalam Narayana Panicker have contributed much to Malayalam drama. Contemporary Malayalam literature deals with social, political, and economic life context. The tendency of the modern poetry is often towards political radicalism.
Arabi Malayalam (also called Mappila Malayalam and Moplah Malayalam) was the traditional Dravidian language of the Mappila Muslim community in Malabar Coast. The poets like Moyinkutty Vaidyar and Pulikkottil Hyder have made notable contributions to the Mappila songs, which is a genre of the Arabi Malayalam literature.Pg 167, Mappila Muslims: a study on society and anti colonial struggles By Husain Raṇdathaṇi, Other Books, Kozhikode 2007 The Arabi Malayalam script, otherwise known as the Ponnani script, is a writing system – a variant form of the Arabic script with special orthographic features – which was developed during the early medieval period and used to write Arabi Malayalam until the early 20th century CE.Miller, Roland. E., "Mappila" in "The Encyclopedia of Islam". Volume VI. E. J. Brill, Leiden. 1987. pp. 458–56. Though the script originated and developed in Kerala, today it is predominantly used in Malaysia and Singapore by the migrant Muslim community.Menon. T. Madhava. "A Handbook of Kerala, Volume 2", International School of Dravidian Linguistics, 2002. pp. 491–493.National Virtual Translation Center – Arabic script for malayalam
Folklore