Sticks & Stones is a 2019 American stand-up comedy television special starring comedian Dave Chappelle and directed by Stan Lathan. It was produced by Chappelle and Lathan and distributed by Netflix, the special is detailed as "a provocative perspective on the tidal wave of celebrity scandals, the opioid crisis, and more".
It is Chappelle's fifth Netflix special, following the 2017 specials The Age of Spin, Deep in the Heart of Texas, Equanimity and The Bird Revelation. Principal photography began at the Tabernacle in Downtown Atlanta, Georgia, from June 13 to 16, 2019.
The special received mixed reviews from critics, in part due to jokes about defending Chappelle's friend and comedian Louis C.K., jokes concerning the abuse allegations against singers Michael Jackson and R. Kelly, and jokes about the LGBT community. The special earned Chappelle his third consecutive Grammy Award for Best Comedy Album as well as his third and fourth Primetime Emmy Awards, including for Outstanding Pre-Recorded Variety Special.
Synopsis Following quoting the lyrics of Prince's "1999", Chappelle mentions a series of high-profile news stories about celebrities. He contrasts Anthony Bourdain with an old friend of his who, despite living under difficult circumstances, never conceived of committing suicide.
Following this, Chappelle gives an impression of the Founding Fathers, specifically referencing their role in slavery, drafting the Constitution of the United States. After this he shifts into speaking of the segment of society which bans, blacklists and boycotts entertainers over politically incorrect jokes which deter those—including Chappelle himself—from doing comedy.
He then discourages those who have yet to watch the HBO documentary Leaving Neverland (2019), which details allegations of child sexual abuse against Michael Jackson, and doubts the accusers, pointing out that Macaulay Culkin denies witnessing or being molested by Jackson. Chappelle jokes about the sexual abuse allegations against R. Kelly, whom he described as being "different" from Jackson because Chappelle is "pretty sure he did that" and jokes that many individuals are molested and it is preferable if the person that does it is famous.
Chappelle speaks about Kevin Hart, explaining that it was Hart's "dream to host the Oscars," then discusses an "unwritten and unspoken rule of show business," which is that "you are never, ever allowed to upset the alphabet people." He expresses his dismay during a conversation with a member of Standards and Practices, while filming the Chappelle's Show, over the use of the gay-slur: "faggot". In the discussion with S&P, he points out the word "faggot" is quite forbidden, but not his use of the word "nigger".
The comedian jokes about transgender people and transracialism in which he uses a car ride analogy with LGBTQ persons interacting.
Chappelle jokes about controversies surrounding comedian Louis C.K., as well as critiquing the #MeToo movement as being too draconian to be effective at reducing real issues faced by women in the industry.
Chappelle jokes about pro and anti-abortion positions.
Chappelle then jokes that black people should legally buy guns in protest to have white legislators alter the Second Amendment out of fear. In reference to gun control, he compares the post-2010 opioid crisis to the Crack epidemic in the United States advocating for decriminalization, while highlighting addiction as an illness. Chappelle also lampoons the alleged assault against actor Jussie Smollett.
Stories from his upbringing form the closing segment to the show, as he recalls his father's words of wisdom, financial difficulties, and economic discrimination which informed him as a child, whilst correlating this with school shootings.
Epilogue The Netflix release was followed by a secret 23-minute epilogue titled The Punchline, wherein Chappelle invited the audience to ask him questions during his Dave Chappelle on Broadway performance at the Lunt-Fontanne Theatre in New York City. During the epilogue he told a story of a previous performance at the Punch Line San Francisco where a woman had walked out of his show during his jokes about the #MeToo movement saying "I'm sorry, I was raped", to which Chappelle retorted that "Miss [...] it is not your fault [...] that you were raped. But it's not mine either."
Chappelle mentioned that during the same performance a transgender woman named Daphne Dorman, who attended several of his sets, was laughing the hardest at his transgender jokes and Chappelle joked that the reason she could take his jokes—and that the first woman couldn't—is that "Daphne used to be a man." Afterwards, according to Chappelle, they chatted at the bar and Daphne thanked him for "[normalizing] transgenders by telling jokes about us." He recalls a story of Charlie Murphy, covers the 2020 election, the #MeToo movement, anecdotes of Barack Obama and Gavin Newsom, and the most influential comedians in his life.
Production
On November 21, 2016, The Hollywood Reporter reported that Chappelle and director Stan Lathan will produce an original stand-up comedy special exclusively for Netflix, and two never-before-seen specials hailed directly from Chappelle's personal comedy vault; with the releases being Chappelle's first concert specials in 12 years. The two additional specials were directed by Lathan, with Deep in the Heart of Texas filmed at Austin City Limits in April 2015, and The Age of Spin at the Hollywood Palladium in March 2016. Concurrently with the announcement, Lisa Nishimura, Netflix's Vice President of Original Documentary and Comedy, spoke most highly of the deal, in which she stated, "[Chappelle]'s three new specials promise to be some of the most anticipated events in comedy, and we are honored he will mark his global return on Netflix."
On November 17, 2017, Variety reported that Chappelle's third Netflix stand-up special entitled Equanimity—the first special Chappelle has produced exclusively for Netflix—will be released on Netflix on December 31, 2017. However, on December 22, it was announced by Variety that in addition to the previously announced special Equanimity, the comedian will also release the special The Bird Revelation; marking Chappelle's third and fourth Netflix specials to be released this year. Equanimity was filmed in September at the Warner Theater in Washington, D.C., while The Bird Revelation was filmed November 20 at The Comedy Store in Los Angeles.
Film director Stan Lathan spoke of having two weeks to set up the shoot for The Bird Revelation," with the director adding that it was their intent "to be as intimate and inside the experience as possible", while making references to The Age of Spin where Chappelle and he emptied the space to create a mini-stadium, complete with a thrust that takes Chappelle, who tends to walk the stage for blocks, anyway, out into the house. Lathan also mentions networks mentality when it comes to the audience in that "[they] believe audiences should be heard and not seen [...] That goes against what I personally feel is part of the TV experience. He's performing for these people, not for these cameras." For Equanimity,
Lathan photographed using 10 Sony 4300 cameras, in which he states: "three jibs, two handhelds, four peds and a Steadicam, which gave us a 360-degree look at the theatre. Instead of relying on typical audience cutaways, we included Dave in those shots whenever possible." In Spring 2018, Lathan was finishing work on one of Chappelle's specials, wherein he spoke of the editing process and bringing the comedian into the editing room, with Lathan stating that he knows to leave wiggle room so they can cut among shows, ultimately shaping the performance.
Lathan spoke of cut shifting ever so slightly based on the spontaneously of Chappelle, with the direct stating, "There's some nights [...] where the direction will shift a little bit based on a specific kind of response from an audience [...]", whilst concluding that world events in that even day may influence the final cut. The audio post-production company Levels Audio, which worked on Equanimity & the Bird Revelation, was brought back for Sticks & Stones, with audio engineers Brian Riordan and Connor Moore being tasked with re-recording mixing.
According to leaked documents obtained by Bloomberg News, Netflix paid $23.6 million for Sticks & Stones.
Marketing and release On August 15, 2019, Netflix announced Chappelle's fifth comedy special in an announcement teaser on YouTube narrated by Morgan Freeman. Rick Porter of The Hollywood Reporter stated that while the teaser doesn't reveal any of Chappelle's material, the special's title—and the voiceover narration from Freeman—may suggest that the comedian may be addressing criticism he faced after making jokes about transgender people and the #MeToo movement in Equanimity and The Bird Revelation (2017).
Editors at Maxim spoke of not getting any snippets of the actual stand-up special itself, although describing it as "a must-watch [...]." Israel Daramola of Spin wrote: "Without revealing anything, it's pretty clear that Dave isn't skirting away from any of the controversies he's seen from his latest stand-up specials." The special was released through Netflix on August 26, 2019. In conjunction with Netflix's policies, the viewing figures for the special have not been released to the public.
Reception Critical reception Sticks & Stones received mixed reviews from critics.Negative reception for Sticks & Stones:
Positive reception for Sticks & Stones:
The review aggregation website Rotten Tomatoes reported that of critics gave the show a positive review based on reviews, with an average rating of . The website's critical consensus reads, "Edgy, but empty, Sticks and Stones might not break any bones, but it won't elicit many laughs, either." It has drawn criticism from both the left and right sides of the aisle, primarily for Chappelle making light of pedophilia and Michael Jackson's alleged victims; however, others have appreciated the special for its wide-ranging social commentary and Chappelle's unwillingness to censor himself to appease others.
Vanity Fairs Laura Bradley, in a negative review, criticized the "stale work from a comedian who was once known for truly boundary-pushing comedy", adding that "These jokes [...] fall right in line with an increasingly defiant streak among comedians who rail against P.C. culture, and insist that the public has lost its ability to understand jokes in context." A more critical review came from Kyle Smith of the National Review, who wrote: "The set mostly misses the mark. And what is that mark? The truth. Chappelle remains one of the most vital, and certainly among the most daring, of standups [...] His latest hour is a setback."
Writing for The Ringer, Alison Herman also returned with a negative review: "Sticks and Stones is designed to generate inflammatory coverage... It's a symbiotic cycle with no end in sight, and it's become the last thing a beloved provocateur should ever want to be: predictable." Garrett Martin of Paste wrote that the special "is terrible not because audiences have changed, but because Chappelle himself is so thoroughly out of touch with today."
Dani Di Placido of Forbes called it "a special which feels like Chappelle's 'old man rant,' revelling in his perceived political incorrectness." Madeline Fry of The Washington Examiner spoke of the certain failings of Sticks & Stones, albeit praising Chappelle at picking upon subtle hypocrisies in our society, to which Fry explains: "[Chappelle] does a good job of pairing arguments from the pro-abortion side with some of their logical shortcomings."